Articles

Siglind Bruhn

A Concert of Paintings: "Musical Ekphrasis" in the Twentieth Century
Poetics Today 22(3): 551-605 (2001); DOI:10.1215/03335372-22-3-551 [Abstract] [PDF] [References]  

Ruth HaCohen

The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference
Poetics Today 22(3): 607-650 (2001); DOI:10.1215/03335372-22-3-607 [Abstract] [PDF] [References]  

Shira Wolosky

The Lyric, History, and the Avant-Garde: Theorizing Paul Celan
Poetics Today 22(3): 651-668 (2001); DOI:10.1215/03335372-22-3-651 [Abstract] [PDF] [References]  

Corrective Note

David Gorman

The Use and Abuse of Speech-Act Theory in Criticism: A Corrective Note
Poetics Today 22(3): 669-670 (2001); DOI:10.1215/03335372-22-3-669 [PDF] [References]  

Review Article

Donald Brown

Enjoy(c)ing Cultures
Neil R. Davison, , Ulysses, and the Construction of Jewish Identity: Culture, Biography, and "The Jew" in Modernist Europe. New York and London: Cambridge University Press, 1996. 305 pp; Christine Froula, Modernism's Body: Sex, Culture, and Joyce. New York: Columbia University Press, 1996. 316 pp; Joseph Kelly, Our Joyce: From Outcast to Icon. Austin: University of Texas Press, 1998. 287 pp; Karen Lawrence, ed., Transcultural Joyce. New York and London: Cambridge University Press, 1998. 247 pp; Joseph Valente, ed., Quare Joyce. Ann Arbor: University of Michigan Press, 1998. 297 pp; Paul Vanderham, James Joyce and Censorship: The Trials of Ulysses. New York: New York University Press, 1998. 242 pp.
Poetics Today 22(3): 671-689 (2001); DOI:10.1215/03335372-22-3-671 [PDF] [References]  

Review

Joep Leerssen

Types, Tropes, and the Poetics of Conventionality
Ruth Amossy and Anne Herschberg Pierrot, : Langue, discours, société. Paris: Nathan, 1997 (Collection 128). 128 pp.
Poetics Today 22(3): 691-696 (2001); DOI:10.1215/03335372-22-3-691 [PDF] [References]  

Claudine Raynaud

Under Scrutiny: Blueprints for Self-Writing
Philippe Lejeune, Paris: Seuil, 1998. 427 pp.; Philippe Lejeune, Les brouillons de soi. Paris: Seuil, 1998. 227 pp.
Poetics Today 22(3): 697-701 (2001); DOI:10.1215/03335372-22-3-697 [PDF]  

New Books at a Glance

Eyal Segal

The Dramatic Monologue
Elizabeth A. Howe, New York: Twayne Publishers, 1996. xix + 166 pp.
Poetics Today 22(3): 703-704 (2001); DOI:10.1215/03335372-22-3-703 [PDF]  

Eyal Segal

The Progress of Romance: Literary Historiography and the Gothic Novel
David Richter, Columbus: Ohio State University Press, 1996. xi + 242 pp.
Poetics Today 22(3): 704-705 (2001); DOI:10.1215/03335372-22-3-704 [PDF]  

Brian McHale

Narralogues: Truth in Fiction
Ronald Sukenick, SUNY series, The Margins of Literature, edited by Mihai I. Spariosu. Albany: State University of New York Press, 2000. 132 pp.
Poetics Today 22(3): 706-708 (2001); DOI:10.1215/03335372-22-3-706 [PDF]  

Eyal Segal

Mind Reading: Unframed Direct Interior Monologue in European Fiction
Vladimir Tumanov, Amsterdam: Editions Rodopi, 1997. viii + 142 pp.
Poetics Today 22(3): 708-709 (2001); DOI:10.1215/03335372-22-3-708 [PDF] [References]  

Notes on Contributors

Notes on Contributors
Poetics Today 22(3): 711-712 (2001); DOI:10.1215/03335372-22-3-711 [PDF]  

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