|
|
![]() |
|||
|
|
||||
|
||||
| ||||||||||||||||||||||||||||||||||||||||||||||||||||
Photography in Fiction |
1 German, Leipzig
2 English, Memorial University of Newfoundland
Adams, Timothy Dow 2000 Light Writing and Life Writing: Photography in Autobiography (Chapel Hill: University of North Carolina Press).
Alpers, Svetlana 1983 The Art of Describing: Dutch Art in the Seventeenth Century (Chicago: University of Chicago Press).
Armstrong, Nancy 1999 Fiction in the Age of Photography: The Legacy of British Realism (Cambridge, MA: Harvard University Press).
Arnheim, Rudolf 1974 "On the Nature of Photography," Critical Inquiry 1: 149-61.
Baer, Ulrich 2002 Spectral Evidence: The Photography of Trauma (Stanford, CA: Stanford University Press).
Baetens, Jan 1993 Du roman-photo (Mannheim/Paris: Medusa-Medias/Les Impressions Nouvelles).
Baetens, Jan, and Mireille Ribière, eds. 2001 Time, Narrative, and the Fixed Image (Amsterdam: Rodopi).
Bal, Mieke 1991 Reading "Rembrandt": Beyond the Word-Image Opposition (Cambridge: Cambridge University Press).
1996 "Reading Art?" in Generations and Geographies in the Visual Arts: Feminist Readings, edited by G. Pollock, 25-41 (London: Routledge).
1997 The Mottled Screen: Reading Proust Visually, translated by A.-L. Milne (Stanford, CA: Stanford University Press).
1999 Quoting Caravaggio: Contemporary Art, Preposterous History (Chicago: University of Chicago Press).
2003 "Visual Essentialism and the Object of Visual Culture," Journal of Visual Culture 2 (1): 5-32.
Bal, Mieke, and Norman Bryson 1991 "Semiotics and Art History," Art Bulletin 73 (2): 174-208.
Barnard, Malcolm 2001 Approaches to Understanding Visual Culture (New York: Palgrave Macmillan).
Barrett, Laura 2000 "Compositions of Reality: Photography, History, and Ragtime," Modern Fiction Studies 46 (4): 801-24.
Barthes, Roland 1970 S/Z (Paris: Seuil).
1984 Camera Lucida: Reflections on Photography, translated by Richard Howard (London: Fontana Paperbacks).
Barzilai, Maya 2006 "On Exposure: Photography and Uncanny Memory in W. G. Sebald's Die Ausgewanderten and Austerlitz," in W. G. Sebald: History—Memory—Trauma, edited by S. Denham and M. McCulloh, 205-18 (Berlin: de Gruyter).
Batchen, Geoffrey 1997 Burning with Desire: The Conception of Photography (Cambridge, MA: MIT Press).
2004 Forget Me Not: Photography and Remembrance (New York: Princeton Architectural Press).
Bazin, André 1975 [1945] "Ontologie de l'image photographique," in Qu'est-ce que le cinéma? 9-17 (Paris: Cerf).
Beloff, Halla 1985 Camera Culture (Oxford: Blackwell).
Belting, Hans 1996 "Bildkultur und Textkultur," in Die Moderne und die Grenze der Vergegenständlichung, edited by H. G. Gadamer, 73-91 (Munich: Bernd Klüser).
Benjamin, Walter 1972 "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit," in Walter Benjamin: Gesammelte Schriften, edited by R. Tiedemann and H. Schweppenhäuser, 471-508 (Frankfurt: Suhrkamp).
Bernier, Silvie 1990 Du texte à l'image: Le livre illustré au Québec (Vie des lettres québecoises) (Sainte-Foy: Presses de l'Université Laval).
Boehm, Gottfried 1994 "Die Wiederkehr der Bilder," in Was ist ein Bild, edited by G. Boehm, 11-38 (Munich: Fink).
1995 "Bildbeschreibung. Über die Grenzen von Bild und Sprache," in Boehm and Pfotenhauer 1995: 23-40.
Boehm, Gottfried, and Helmut Pfotenhauer, eds. 1995 Beschreibungskunst—Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart (Munich: Fink).
Bogardus, Ralph F. 1984 Pictures and Texts: Henry James, A. L. Coburn, and New Ways of Seeing in Literary Culture (Ann Arbor, MI: UMI Research Press).
Bourdieu, Pierre 1965 Un art moyen. Essai sur les usages sociaux de la Photographie (Paris: Editions de Minuit).
1990 [1965] Photography, a Middle-Brow Art (Stanford, CA: Stanford University Press).
Brennan, Teresa, and Martin Jay, eds. 1996 Vision in Context: Historical and Contemporary Perspectives on Sight (New York: Routledge).
Brink, Cornelia 1998 Ikonen der Vernichtung. Öffentlicher Gebrauch von Fotografien aus nationalsozialistischen Konzentrationslagern nach 1945 (Berlin: Akademie).
Bryant, Marsha, ed. 1996 Photo-Textualities: Reading Photographs and Literature (Newark: University of Delaware Press).
Bryson, Norman 1988 "Intertextuality and Visual Poetics," Style 22 (2): 183-93.
Burgin, Victor 1982 "Looking at Photographs," in Thinking Photography, edited by Victor Burgin, 142-216 (London: Macmillan).
Burns, Stanley B. 1990 Sleeping Beauty: Memorial Photography in America (Altadena, CA: Twelvetrees).
Cadava, Eduardo 1997 Words of Light: Theses on the Photography of History (Princeton, NJ: Princeton University Press).
Cavell, Stanley 1971 The World Viewed: Reflections on the Ontology of Film (New York: Viking).
1985 "What Photography Calls Thinking," Raritan 4: 1-21.
Cheetham, Mark A., Michael Ann Holly, and Keith Moxey, eds. 1998 The Subjects of Art History: Historical Objects in Contemporary Perspectives (Cambridge: Cambridge University Press).
Christin, Anne-Marie 1995 L'image écrite, ou, La déraison graphique (Paris: Flammarion).
Clüver, Claus 1989 "On Intersemiotic Transposition," Poetics Today 10: 55-90.
1997 "Ekphrasis Reconsidered: On Verbal Representation of Non-Verbal Texts," in Interart Poetics: Essays on the Interrelations of the Arts and Media, edited by U.-B. Lagerroth, H. Lund, and E. Hedling, 19-33 (Amsterdam: Rodopi).
Craws, Mary Ann 1989 The Art of Interference: Stressed Readings in Verbal and Visual Texts (Princeton, NJ: Princeton University Press).
Creekmur, Corey K. 1996 "Lost Objects: Photography, Fiction, and Mourning," in Bryant 1996: 73-82.
Davidson, Cathy N. 1990 "Photographs of the Dead: Sherman, Daguerre, Hawthorne," South Atlantic Quarterly 89: 667-701.
Didi-Huberman, Georges 2003 Images malgré tout (Paris: Minuit).
Dirscherl, Klaus, ed. 1993 Bild und Text im Dialog (Passau, Germany: Wiss.-Verl. Rothe).
Duttlinger, Carolin 2004 "Traumatic Photographs: Remembrance and the Technical Media in W. G. Sebald's Austerlitz," in W. G. Sebald: A Critical Companion," edited by J. J. Long and A. Whitehead, 155-71 (Seattle: University of Washington Press).
2006 "Visions of the New World: Photography in Kafka's Der Verschollene," German Life and Letters 59 (3): 423-45.
Edwards, Elizabeth 1999 "Photographs as Objects of Memory," in Material Memories, edited by M. Kwint, C. Breward, and J. Aynsley, 221-36 (Oxford: Berg).
Eicher, Thomas, and Ulrich Bleckmann, eds. 1994 Intermedialität. Vom Text zum Bild (Bielefeld, Germany: Aisthesis).
Elkins, James 1996 The Object Stares Back: On the Nature of Seeing (San Diego, CA: Harcourt Brace).
1998 On Pictures and the Words That Fail Them (Cambridge: Cambridge University Press).
2003 Visual Studies: A Skeptical Introduction (New York: Routledge).
Esrock, Ellen J. 1994 The Reader's Eye: Visual Imaging as Reader Response (Baltimore: Johns Hopkins University Press).
Flusser, Vilém 2000 Towards a Philosophy of Photography (London: Reaktion).
Foley, Barbara 1986 Telling the Truth: The Theory and Practice of Documentary Fiction (Ithaca, NY: Cornell University Press).
Friday, Jonathan 2002 Aesthetics and Photography (Aldershot, U.K.: Ashgate).
Gandelman, Claude 1991 Reading Pictures, Viewing Texts (Bloomington: Indiana University Press).
Garrett-Petts, W. F., and Donald Lawrence, eds. 2000 PhotoGraphic Encounters: The Edges and Edginess of Reading Prose Pictures and Visual Fictions (Edmonton: University of Alberta Press).
Gillespie, Diane 1993 "`Her Kodak Pointed at His Head': Virginia Woolf and Photography," in The Multiple Muses of Virginia Woolf, edited by D. Gillespie, 113-47 (Columbia: University of Missouri Press).
Gilman, Sander L. 1989 Sexuality: An Illustrated History (New York: Wiley).
Gnam, Andrea 2007 "Fotografie und Film in W. G. Sebalds Erzählung Ambros Adelwarth und seinem Roman Austerlitz," in Verschiebebahnhöfe der Erinnerung: Zum Werk W. G. Sebalds, edited by S. Martin and I. Wintermeyer, 27-47 (Würzburg: Köngishausen and Neumann).
Goetschel, Willi 1997 "Zur Sprachlosigkeit von Bildern," in Bilder des Holocaust. Literatur—Film—Bildende Kunst, edited by M. Köppen and K. Scherpe, 131-44 (Cologne: Böhlau).
Gualtieri, Elena 2006 "The Cut: Instantaneity and the Limits of Photography," English Language Notes 44 (2): 9-24.
Hamilton, Peter, and Roger Hargreaves 2001 The Creation of Identity in Nineteenth Century Photography (Aldershot, U.K.: Lund Humphries).
Harms, Wolfgang, ed. 1990 Text und Bild, Bild und Text: DFG-Symposion Tübingen 1988 (Stuttgart: Metzler).
Harris, Stefanie 2001 "The Return of the Dead: Memory and Photography in W. G. Sebald's Die Ausgewanderten," German Quarterly 74 (4): 379-91.
Harrison, Charles 2001 Essays on Art and Language (Cambridge, MA: MIT Press).
Heffernan, James 1991 "Ekphrasis and Representation," New Literary History 22: 297-316.
1993 Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery (Chicago: University of Chicago Press).
Hirsch, Julia 1981 Family Photographs: Content, Meaning, and Effect (New York: Oxford University Press).
Hirsch, Marianne 1997 Family Frames: Photography, Narrative, and Postmemory (Cambridge, MA: Harvard University Press).
1999 "Projected Memory: Holocaust Photographs in Personal and Public Fantasy," in Acts of Memory: Cultural Recall in the Present, edited by M. Bal, J. Crewe, and L. Spitzer, 3-23 (Hanover, NH: University Press of New England).
2001 "Surviving Images: Holocaust Photographs and the Work of Postmemory," Yale Journal of Criticism 14 (1): 5-37.
Hoffman, Eva 2004 After Such Knowledge: Memory, History, and the Legacy of the Holocaust (New York: Public Affairs).
Holly, Michael Ann, and Keith Moxey, eds. 2002 Art History, Aesthetics, Visual Studies, Clark Studies in the Visual Arts (New Haven, CT: Yale University Press).
Horstkotte, Silke 2005a "Fantastic Gaps: Photography Inserted into Narrative in W. G. Sebald's Austerlitz," in Science, Technology, and the German Cultural Imagination: Papers from the Conference "The Fragile Tradition," Cambridge 2002, edited by D. Midgley and C. Emden, 269-86 (Oxford: Peter Lang).
2005b "Transgenerationelle Blicke: Fotografie als Medium von Gedächtnistradierung in Die Ausgewanderten," in W. G. Sebald: Mémoire. Transferts. Images/Erinnerung. Übertragungen. Bilder, edited by R. Vogel-Klein, 47-64 (Strasbourg: Université Marc Bloch).
Horstkotte, Silke, and Karin Leonhard, eds. 2006 Lesen ist wie Sehen: Intermediale Zitate in Bild und Text (Köln: Böhlau).
in press Seeing Perception: Image—Body—Text (Newcastle: Cambridge Scholars).
Hughes, Alex, and Andrea Noble, eds. 2003 Phototextualities: Intersections of Photography and Narrative (Albuquerque: University of New Mexico Press).
Humm, Maggie 2003 Modernist Women and Visual Culture (New Brunswick, NJ: Rutgers University Press).
Hunter, Jefferson 1987 Image and Word: The Interaction of Twentieth-Century Photographs and Texts (Cambridge, MA: Harvard University Press).
Jacobs, Karen 2006a "Visual Developments and Narrative Exposures," in Jacobs 2006b: 1-5.
Jacobs, Karen, ed. 2006b "Photography and Literature." Special issue, English Language Notes 44, no. 2.
Jay, Martin 1993 Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (Berkeley: University of California Press).
Kemp, Wolfgang 1989 "Ellipsen, Analepsen, Gleichzeitigkeiten: Schwierige Aufgaben für die Bildererzählung," in Der Text des Bildes: Möglichkeiten und Mittel eigenständiger Bilderzählung, edited by Wolfgang Kemp, 62-88 (Munich: Edition Text + Kritik).
Kemp, Wolfgang, ed. 1980-83 Theorie der Fotografie I-III (Munich: Schirmer-Mosel).
Kibédi Varga, Áron 1989 "Criteria for Describing Word-and-Image-Relations," Poetics Today 10: 31-53.
Klarer, Mario 2001 Ekphrasis. Bildbeschreibung als Repräsentationstheorie bei Spenser, Sidney, Lily und Shakespeare (Tübingen: Niemeyer).
Knoch, Habbo 2001 Die Tat als Bild: Fotografien in der deutschen Erinnerungskultur (Hamburg: Hamburger Edition).
Koppen, Erwin 1987 Literatur und Photographie. Über Geschichte und Thematik einer Medienentdeckung (Stuttgart: Metzler).
Krauss, Rolf H. 1998 Walter Benjamin und der neue Blick auf die Photographie (Stuttgart: Hatje Cantz).
Krauss, Rosalind 1981 "The Photographic Conditions of Surrealism," October 19: 3-34.
Krauss, Rosalind, and Jane Livingston 1985 L'Amour Fou: Photography and Surrealism (New York: Abbeville).
Krieger, Murray 1992 Ekphrasis: The Illusion of the Natural Sign (Baltimore: Johns Hopkins University Press).
Lalvani, Suren 1996 Photography, Vision, and the Production of Modern Bodies (Albany: SUNY Press).
Liss, Andrea 1991 "Trespassing through Shadows: History, Mourning, and Photography in Representations of Holocaust Memory," Framework 4 (1): 30-39.
1998 Trespassing through Shadows: Memory, Photography, and the Holocaust (Minneapolis: University of Minnesota Press).
Long, Jonathan J. 2003 "History, Narrative, and Photography in W. G. Sebald's `Die Ausgewanderten'," Modern Language Review 98 (1): 117-39.
2006 "Monika Maron's Pawels Briefe: Photography, Narrative, and the Claims of Postmemory," in German Memory Contests: The Quest for Identity in Literature, Film, and Discourse since 1990, edited by A. Fuchs, M. Cosgrove, and G. Grote, 147-65 (Rochester, NY: Camden House).
Louvel, Liliane 2002 Texte/image: Images à lire, textes à voir (Rennes: Presses Universitaires de Rennes).
Lundström, Jan-Erik 1999 Symbolic Imprints: Essays on Photography and Visual Culture (Aarhus, Denmark: Aarhus University Press).
Malcolm, Janet 1989 "Pink Roses," New Yorker, June 26, 89.
Mansell, Darrel 1999 "Language in an Image," Criticism 41: 187-205.
McWhirter, David 2006 "Photo-Negativity: The Visual Rhetoric of James's and Coburn's New York Edition Frontispieces," English Language Notes 4 (2): 101-16.
Mergenthaler, Volker 2002 Sehen schreiben—Schreiben sehen. Literatur und visuelle Wahrnehmung im Zusammenspiel (Tübingen: Niemeyer).
Metz, Christian 1990 "Photography and Fetish," in Squiers 1990: 155-64.
Mirzoeff, Nicholas 1999 An Introduction to Visual Culture (London: Routledge).
Mitchell, W. J. T. 1986 Iconology: Image, Text, Ideology (Chicago: University of Chicago Press).
1994 Picture Theory: Essays on Verbal and Visual Representation (Chicago: University of Chicago Press).
Mitchell, William J. 1994 The Reconfigured Eye: Visual Truth in the Post-Photographic Era (Cambridge, MA: MIT Press).
Montandon, Alain, ed. 1990 Iconotextes (Paris: Ophrys).
Morley, Simon 2003 Writing on the Wall: Word and Image in Modern Art (Berkeley: University of California Press).
Nadel, Ira 1995 "Visual Culture: The Photo Frontispieces to the New York Edition," in Henry James's New York Edition: The Construction of Authorship, edited by D. McWhirter, 90-108 (Stanford, CA: Stanford University Press).
Ortel, Philippe 1997 "Réalisme photographique, réalisme litteraire. Un nouveau cadre de reference," in Jardins d'hiver. Littérature et photographie, edited by M.-D Garnier, 171-91 (Paris: Presses Universitaires de l'Ecole Normale).
Pedri, Nancy 2005 "Critical Encounters with Gender: Photography in Virginia Woolf's Orlando," Inbetween: Essays and Studies in Literary Criticism 14, no. 2: 167-76.
Petit, Laurence 2006 "Alchemy of the Word and the Image: Towards a New `Iconographics' of Postmodern Culture," English Language Notes 44 (2): 313-21.
Plumpe, Gerhard 1990 Der tote Blick. Zum Diskurs der Photographie in der Zeit des Realismus (Munich: Fink).
1996 "Die Herausforderung der Photographie," in Bürgerlicher Realismus und Gründerzeit. 1848-1890, edited by E. McInnes and G. Plumpe, 57-61 (Munich: Hanser).
Price, Derek, and Liz Wells 2000 "Thinking about Photography: Debates, Historically and Now," in Photography: A Critical Introduction, edited by L. Wells, 9-64 (London: Routledge).
Rabb, Jane M., ed. 1998 Literature and Photography: Interactions 1840-1990 (Albuquerque: University of New Mexico Press).
Rajewsky, Irina O. 2002 Intermedialität (Tübingen: Francke).
Robinson, Elizabeth 2006 "Introduction: Cluster 3; Toward a Photo-Poetics," in Jacobs 2006b: 269-70.
Rogoff, Irit 2002 "Studying Visual Culture," in The Visual Culture Reader, edited by N. Mirzoeff, 24-36 (London: Routledge).
Rorty, Richard 1967 The Linguistic Turn: Recent Essays in Philosophical Method (Chicago: University of Chicago Press).
Ruby, Jay 1995 Secure the Shadow: Death and Photography in America (Cambridge, MA: MIT Press).
Ruchatz, Jens 2004 "Fotografische Gedächtnisse. Ein Panorama medienwissenschaftlicher Fragestellungen," in Medien des kollektiven Gedächtnisses: Konstruktivität—Historizität—Kulturspezifität, edited by A. Erll and A. Nünning, 83-105 (Berlin: de Gruyter).
Rugg, Linda Haverty 1997 Picturing Ourselves: Photography and Autobiography (Chicago: University of Chicago Press).
Sachs-Hombach, Klaus 2003 Das Bild als kommunikatives Medium. Elemente einer allgemeinen Bildwissenschaft (Cologne: von Halem).
Shaffer, Elinor 2003 "W. G. Sebald's Photographic Narrative," in The Anatomist of Melancholy: Essays in Memory of W. G. Sebald, edited by R. Görner, 51-62 (Munich: Iudicium).
Shloss, Carol 1987 In Visible Light: Photography and the American Writer; 1840-1940 (New York: Oxford University Press).
Shohat, Ella, and Robert Stam 2002 "Narrativizing Visual Culture: Towards a Polycentric Aesthetics," in The Visual Culture Reader, edited by N. Mirzoeff, 37-59 (London: Routledge).
Snyder, Joel 1980 "Picturing Vision," Critical Inquiry 6: 499-526.
Snyder, Joel, and Neil Walsh Allen 1975 "Photography, Vision, and Representation," Critical Inquiry 2 (1): 143-69.
Solomon-Godeau, Abigail 1991 Photography at the Dock: Essays in Photographic History, Institutions, and Practices (Minneapolis: University of Minnesota Press).
Sontag, Susan 1977 On Photography (New York: Farrar, Straus, and Giroux).
2003 Regarding the Pain of Others (New York: Farrar, Straus, and Giroux).
Squiers, Carol, ed. 1990 The Critical Image: Essays on Contemporary Photography (Seattle: BayPress).
Steiner, Wendy 1991 Pictures of Romance: Form against Context in Painting and Literature (Chicago: University of Chicago Press).
Steinlechner, Gisela 2005 "Strahlende Fundstücke: W. G. Sebalds fotografische Poetik," Fotogeschichte 25: 43-49.
Sturken, Marita, and Lisa Cartwright 2001 Practices of Looking: An Introduction to Visual Culture (Oxford: Oxford University Press).
Tagg, John 1988 The Burden of Representation: Essays on Photographies and Histories (Minneapolis: University of Minnesota Press).
Tischel, Alexandra 2006 "Aus der Dunkelkammer der Geschichte. Zum Zusammenhang von Photographie und Erinnerung in W. G. Sebalds Austerlitz," in W. G. Sebald: Politische Archäologie und melancholische Bastelei, edited by M. Niehaus and C. Öhlschläger, 31-43 (Berlin: Erich Schmidt).
van Alphen, Ernst 2004 "Second Generation Testimony, the Transmission of Trauma and Postmemory." Paper presented at the conference "Writing the Memory of the Shoah: The Generation After," Universiteit Leiden, June 21-22.
von Amelunxen, Hubertus 1992 "Allegorie und Photographie. Untersuchungen zur französischen Literatur des 19. Jahrhunderts." PhD diss., Mannheim University.
Wagner, Peter 1996 "Introduction: Ekphrasis, Iconotexts, and Intermediality—the State(s) of the Art(s)," in Icons—Texts—Iconotext: Essays on Ekphrasis and Intermediality, edited by Peter Wagner, 1-40 (Berlin: de Gruyter).
Walton, Kendall L. 1984 "Transparent Pictures: On the Nature of Photographic Realism," Critical Inquiry 11 (2): 246-77.
Williams, Megan Rowley 2003 Through the Negative: The Photographic Image and the Written Word in Nineteenth-Century American Literature (London: Routledge).
Williams, Susan 1997 Confounding Images: Photography and Portraiture in Antebellum American Fiction (Philadelphia: University of Pennsylvania Press).
Wolf, Werner 1998 "Intermedialität," in Metzler Lexikon Literatur- und Kulturtheorie. Ansätze—Personen—Grundbegriffe, edited by A. Nünning, 296-97 (Stuttgart: Metzler).
2002 "Das Problem der Narrativität in Literatur, bildender Kunst und Musik: Ein Beitrag zu einer intermedialen Erzähltheorie," in Erzähltheorie transgenerisch, intermedial, inter-disziplinär, edited by V. Nünning and A. Nünning, 23-104 (Trier, Germany: WVT).
Yacobi, Tamar 1995 "Pictorial Models and Narrative Ekphrasis," Poetics Today 16: 599-649.
2000 "Interart Narrative: (Un)Reliability and Ekphrasis," Poetics Today 21: 711-49.[Abstract]
2002 "Ekphrasis and Perspectival Structure," in Cultural Functions of Intermedial Exploration, edited by E. Hedling and U.-B. Lagerroth, 189-202 (Amsterdam: Rodopi).
Zelizer, Barbie 1998 Remembering to Forget: Holocaust Memory through the Camera's Eye (Chicago: University of Chicago Press).
Zetzsche, Jürgen 1991 "Beweisstücke aus der Vergangenheit. Fotografien des Holocaust und ihre Spuren in der Literatur," Fotogeschichte 39: 47-59.
| ||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|