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Poetics Today 2008 29(1):155-173; DOI:10.1215/03335372-2007-021
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Duke University Press

The Photograph: A Textual Excess?

Documenting the Fictions of Reality

Nancy Pedri

English, Memorial University of Newfoundland

An examination of the use of photography in Roland Barthes by Roland Barthes sheds light on how the photographic documentary is secured in life writing. I argue that photographs in life writing invite readers to look beyond what is imaged to their own private experiences rather than to some sort of universal reality. When photographs are reproduced in literature, the subjective and not the objective is paramount in determining their evidential value. In other words, the photograph's evidential value is secured through a transformative process that is put into play by an active engagement, a stepping into the visual, on the part of the reader.







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Copyright 2008 by Porter Institute for Poetics and Semiotics, Tel Aviv University